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From the Private Collection of a Colorado Family18 kt., the one-of-a-kind objet crafted of a central topaz crystal obelisk etched with over 2,600 Egyptian characters, carved by Mrs. Phifster of Idar-Oberstein, Germany, wrapped in base of 787 round diamonds weighing 22.10 cts., atop a frosted rock crystal platform within gold frame cornered by gold and platinum cobras with small round diamond-set eyes, with base of carved lapis, signed Dunay, no. C9944, with maker’s mark, circa 2001. 5 3/4 x 5 3/4 x 16 inches. With copy of letter from Henry Dunay and Neiman Marcus appraisal. Topaz obelisk chipped at base, not visible when inserted.One cobra missing 1/2 of forked tongue.Base measures 5 3/4 x 5 3/4 x 4 inches. Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and our Organization shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.

From the Private Collection of a Colorado Family18 kt., the one-of-a-kind objet crafted of a central topaz crystal obelisk etched with over 2,600 Egyptian characters, carved by Mrs. Phifster of Idar-Oberstein, Germany, wrapped in base of 787 round diamonds weighing 22.10 cts., atop a frosted rock crystal platform within gold frame cornered by gold and platinum cobras with small round diamond-set eyes, with base of carved lapis, signed Dunay, no. C9944, with maker’s mark, circa 2001. 5 3/4 x 5 3/4 x 16 inches. With copy of letter from Henry Dunay and Neiman Marcus appraisal.

Estimation : 50000 - 70000 €

Maison de vente : Doyle

Date de la vente : 11/12/2026

François-Henry Bennahmias Custom Golf Bag Custom TaylorMade Golf Bag Leather Circa 2020 Sotheby’s is proud to offer this François-Henry Bennahmias golf bag. Bennahmias, the longtime and influential former CEO of Audemars Piguet, is widely recognized for transforming the brand into one of the most dynamic and forward-thinking names in luxury watchmaking. A passionate golfer and key figure behind Audemars Piguet’s deep involvement in the sport, he played a pivotal role in fostering relationships with many of the world’s top players and elevating the company’s presence across global golf events.

François-Henry Bennahmias Custom Golf Bag

Estimation : 1000 - 2000 €

Maison de vente : Sotheby’s

Date de la vente : 11/12/2025

LS. Gallopin & Cie, Succrs de Henry Capt, Genève Movement: nickel lever escapement, wolf’s tooth winding, highly jeweled, bi-metallic compensation balance, two polished steel hammers repeating on coiled gongs, signed L. Gallopin & CE, Sucs de Henry Capt, Genève, No. 43747, further stamped with maker’s spread eagle mark Dial: white enamel dial, Roman numerals, recessed subsidiary dial for constant seconds, signed L. Gallopin & Cie Succrs de Henry Capt, Genève Case: 18k yellow gold, repeating slide on the band, case numbered 43747, inside back lid with Henry Capt’s spread eagle stamp flanked by initials HC, and stamped with casemaker’s initials M.P., cuvette engraved No. 43747, Henry Capt, L.Gallopin & Cie, Succrs Genève, Répétition à Minutes Signed: case, cuvette, dial and movement Diameter: 52 mm

LS. Gallopin & Cie, Succrs de Henry Capt, Genève

Estimation : 4000 - 10000 €

Maison de vente : Sotheby’s

Date de la vente : 10/12/2025

A group of four watches including a silver watch by Henry Capt, Geneva, two silver watches by Dent, London, and a yellow gold watch by Edward F. Ashley, London, Circa 1860 – 1897 Including a silver open-faced pocket chronometer watch, Henry Capt, No. 23004; a silver half-hunting cased quarter repeating watch, Dent, No. 25046; a silver open-faced watch, Dent, No. 63141; and a yellow gold open-faced watch, Edward F. Ashley, No. 02382; (4 pieces)

A group of four watches including a silver watch by Henry Capt, Geneva, two silver watches by Dent, London, and a yellow gold watch by Edward F. Ashley, London, Circa 1860 – 1897

Estimation : 2400 - 3900 €

Maison de vente : Sotheby’s

Date de la vente : 10/12/2025

Patek Philippe & Cie Dial: white enamel Caliber: 19’’’ mechanical, 21 jewels Movement number: 146’830 Case: 18k yellow gold, hinged case back and engraved cuvette Case number: 258’492 Size: 50 mm diameter Signed: case, cuvette, dial, and movement signed Patek Philippe, cuvette and movement signed Henry Kohn & Sons, Hartford Conn. and Patek Philippe Box: no Papers: no

Patek Philippe & Cie

Estimation : 7000 - 9000 €

Maison de vente : Sotheby’s

Date de la vente : 10/12/2025

Patek Philippe Dial: blue, with white hands and Arabic markers Caliber: cal. CH 27-70/157 mechanical, 24 jewels Movement number: 3’715’814 Case: platinum, screw down sapphire crystal display back Case number: 4’494’945 Closure: platinum Patek Philippe folding clasp Size: 42 mm diameter Signed: case, dial and movement Box: yes Papers: no Accessories: Patek Philippe presentation box with outer packaging, facsimile of correspondence confirming modifications made by Patek Philippe in their workshop and recorded in their archives dated November 4th, 2014, Extract from the Archives confirming the year of manufacture in 2009, Operating Instructions booklet, booklets, leather bi-fold, service box, and hangtag When the Patek Philippe reference 5070 was unveiled at Basel in 1998, it marked a historic moment for the manufacture. For nearly three decades, Patek Philippe had not produced a manually wound, two register chronograph, the last being the legendary reference 1463 of the 1960s. The 5070 therefore represented not just a revival of a classic complication, but a declaration that traditional chronograph watchmaking still had a place in the brand’s modern era. Inspired by the proportions and aesthetic of the 1950s aviator’s chronograph reference 2512, the 5070 introduced a bold, architectural case design that stood in striking contrast to the elegant restraint of earlier Patek models. Measuring 42 mm in diameter, at the time, the largest case ever produced by the firm, it was a statement of both heritage and evolution. The present example, the Ref. 5070P in platinum, represents the final and most exclusive iteration of the series. Produced only between 2008 and 2009, the platinum model closed the 5070 chapter with quiet grandeur. Its dial, rendered in a deep slate-blue tone unique to this reference, is accented by applied white-gold Roman numerals and a discreet diamond set between the lugs at 6 o’clock, the subtle hallmark of all platinum Patek Philippe watches. Inside beats the celebrated calibre CH 27-70, based on the Nouvelle Lemania 2310 ébauche but extensively re-engineered and hand finished by Patek Philippe to their exacting standards. The movement’s column wheel architecture and horizontal clutch ensure a smooth, tactile operation of the chronograph, the pushers offering a mechanical precision that collectors continue to prize. The sapphire case back reveals immaculate finishing: Geneva-striped bridges, polished screw heads, and chamfered edges, all executed with the restrained artistry synonymous with Patek Philippe’s mechanical identity. The 5070P balances its generous proportions with refined symmetry and dial depth. The twin registers, continuous seconds at 9 and 30-minute counter at 3 are complemented by an outer tachymeter scale, a nod to its mid-century inspiration. Despite its size, the watch remains perfectly harmonious, a study in proportion and visual equilibrium. Produced for barely two years and in notably smaller quantities than its yellow, white, or rose-gold counterparts, the 5070P is today one of the most coveted neo-vintage chronographs in Patek Philippe’s modern history. It represents the culmination of the 5070 lineage and the final manual-wind, Lemania-based chronograph before the introduction of the in-house calibre CH 29-535 PS in the 5170 series. This current example is a unique iteration of this most storied chronograph references from Patek Philippe. It was returned to the manufacture by its distinguished owner with a special request to enhance legibility. To achieve this, the hands and hour markers were iterated in white, creating a striking contrast against the original blue-black dial and resulting in a distinctive, bespoke appearance. This modification is documented both in the archives of Patek Philippe and in those of the Henry Stern Agency in New York. Please note that this lot includes endangered species, which will require a CITES permit for export. Please refer to the Guide for Buyers at Auction and Conditions of Business for Buyers for additional information.

Patek Philippe

Estimation : 120000 - 180000 €

Maison de vente : Sotheby’s

Date de la vente : 08/12/2025

LS. Gallopin & Cie, Succrs de Henry Capt Movement: two-train frosted gilded movement with tandem winding, highly jewelled, bi-metallic compensation balance, grey finished balance spring with overcoil, chronograph and split work partially visible to the backplate, polished steel hammers repeating on coiled gongs Dial: white enamel dial, black Arabic numerals, recessed subsidiary dials for day, 60-minute register, date, months combined with subsidiary seconds and aperture for moon phases, outer scale for minutes/chronograph seconds calibrated for fifths, red ¼ mile tachymetric scale, outermost alphabetic, gold hands, dial signed T. Martin & Co., 151 Regent St., London Case: 18k yellow gold half-hunting case, aperture to front lid with glazed aperture surrounded by white enamel chapter ring with black Roman numerals and minute ring, two pushers for chronograph/split to band, short trip-repeat slide to band between VII and VIII, slides beneath the bezel for striking/silence and striking/full striking, nibs for calendar correctors beneath the bezel for date and moon phases, cuvette engraved No. 2409 T. Martin & Co. Regent St., inside back lid with spread eagle Henry Capt and P & P marks, numbered 41300, front lid numbered 300, case back and pendant with French owl import assay Signed: dial and case signed T. Martin & Co., case stamped with spread eagle Henry Capt mark Diameter: 54.3 mm Accompanied by letter from E. Gallopin & Cie, Succrs de Henry Capt dated 7 August 1964 confirming the year of manufacture in 1894. In addition to the exceptional complexity of the movement, this watch has a most unusual dial featuring an additional alphabetic scale placed above the hour numerals, with the letters A to M (omitting J) corresponding sequentially to the hours 1 to 12. Between 12 and 1 o’clock, a further group of letters, “RSWX”, appears within the chapter ring. The omission of J follows earlier alphabetic conventions familiar from 19th-century telegraphic and signalling codes, while the inclusion of this secondary letter scale suggests the dial may have been intended for coded or other specialist purposes. The watch’s outer red tachymeter scale, calibrated for quarter-mile distances, indicates that it was designed for the rapid calculation of speed in miles per hour over short, standardised intervals. Such a system would have been especially useful in equestrian or military contexts, where the quarter-mile (equivalent to two furlongs) was a conventional measure for timing horse or messenger runs. The added letters may have provided a means of quick reference, notation, or coded recording during such trials. Whether intended for horse-racing, cavalry training, or field signalling, the combination of a quarter-mile tachymeter and an auxiliary alphabetic scale is exceptionally rare. The watchmaking firm of Henri (or Henry) Capt was originally founded by Henri-Daniel Capt, who was born in 1773 at Le Chenit in Switzerland’s Vallée de Joux. A highly skilled and influential watchmaker, Capt specialised in creating watches and boxes incorporating music and automata, in addition to repeaters. He is credited with being the first to manufacture steel teeth capable of playing all notes of the musical scale. From 1802 to 1811, Capt partnered with Isaac-Daniel Piguet under the business name Piguet & Capt. When Piguet left the partnership in 1811 to collaborate with Philippe Meylan, Capt continued independently until 1830, when he entered a new partnership with Aubert, forming the firm Aubert & Capt. From 1844, the company was run by Henri Capt’s son, also named Henri, and the firm was re-named Henri Capt & Cie. Around 1880, Louis Gallopin became involved with the firm and by 1893 had become the sole proprietor. Initially the company continued to trade under the name Henri Capt. It was subsequently re-named H. Capt Horloger, Maison Gallopin Successeurs, and later still, E. Gallopin & Cie, Successeurs de Henri Capt. The company continued to specialise in precision and complicated watches. One of the finest watchmaking firms of the 19th century, Henri Capt was a regular competitor at the major chronometer trials and received numerous awards. In the 1882 Geneva Observatory trials, a Henri Capt watch with a palladium balance spring was awarded First Prize, placing first in the Class A category. During its 40-day test period, the watch’s mean daily rate of variation was just 0.21 seconds. In the same year, a further two of Henri Capt’s watches placed within the top 25 of the trials (a total of 208 watches were entered by a wide range of makers). In 1887, Henri Capt (Gallopin) became the first Swiss watchmaker to enter a watch for the Kew Observatory trials in England, submitting a repeating watch for the contest. Interestingly, in the Horological Journal of March 1888, the firm of Henri Capt was recorded as having a London branch at 151 Regent Street and was advertising for “an Englishman, experienced watchmaker, speaking French fluently, to act as a salesman.” Emile Capt was also recorded at the same Regent Street address in February 1889, when he was elected a member of the British Horological Institute. The lease of the 151 Regent Street premises was put up for sale in September 1889 and advertised as a “well-established and high-class [premises with]… splendidly fitted-up shop.” Given the date of the present watch, 1894, it would appear that it was T. Martin who took on the lease, while evidently maintaining a connection with Henri Capt/Gallopin.

LS. Gallopin & Cie, Succrs de Henry Capt

Estimation : 30000 - 50000 €

Maison de vente : Sotheby’s

Date de la vente : 08/12/2025

LS. Gallopin & Cie, Succrs de Henry Capt Movement: two-train tandem wound movement, superimposed ratchet wheels with wolf’s teeth, lever escapement, bi-metallic compensation balance with overcoil, jeweled to the center, two asymmetrical polished steel hammers repeating on two coiled gongs, signed L. Gallopin & Cie. Sucs de Henry Capt, No. 46379. Genève Dial: white enamel dial, Arabic numerals, outer minute ring with Arabic 5-minute markers, recessed subsidiary dial for constant seconds, signed LS Gallopin & Cie Succrs de Henry Capt, Genève Case: 18k yellow gold, button through crown for trip-repeat, olivette for hand setting with protective shoulders, case back with Henry Capt spread eagle stamp, numbered 46379, cuvette engraved No. 46379, Henry Capt, L. Gallopin & Cie, Sucrs, Genève, Répétition a minutes poussoir au pendent Signed: case, dial and movement signed, inside back lid with Henry Capt stamp Diameter: 47 mm Louis Gallopin’s involvement with Henri (or Henry) Capt & Cie began around 1880. The highly respected watchmaking firm Henry Capt was originally established by Henry Daniel Capt in 1819. Some years later, Henry Capt Jr. joined the business, developing it further in partnership with Louis Gallopin, who acted as his proxy. In 1893, Louis Gallopin became the sole proprietor of the firm. Louis’s son, Edward Gallopin, later joined the company, followed in turn by his own son, John Gallopin, in 1925. In 1961, Daniel Gallopin, great-grandson of Louis Gallopin, began working for the firm, continuing the family’s long horological tradition. The house maintained a close relationship with Mr. Olmsted, as evidenced by correspondence dating from 1962, which reflects his continued interest in and support of E. Gallopin & Cie. For related letter correspondence concerning timepieces produced by the firm, see No. 31029.

LS. Gallopin & Cie, Succrs de Henry Capt

Estimation : 6000 - 12000 €

Maison de vente : Sotheby’s

Date de la vente : 08/12/2025

Dent, London Movement: frosted gilded three-quarter plate two-train movement, ratchet-tooth lever escapement mounted on a one-minute tourbillon carriage, Nielsen type 1 cage with polished stepped arms and bridge, bi-metallic compensation balance with timing and poising screws, tria-in-uno balance spring, chronograph and split-mechanism partially visible to the backplate, signed Dent, Watchmaker to Her Late Majesty, 33 Cockspur St, London, no. 32274 Dial: white enamel dial attributed to Willis, Roman numerals, four subsidiary dials indicating day, date and months calibrated for four-year leap cycle combined with 60-minute register, subsidiary seconds combined with aperture for moon phases, the moon age calibrated to its edge, outer scale for minutes/chronograph seconds calibrated to fifths and with Arabic 5-minute markers, signed Dent 33 Cockspur St , London 32274 Case: 18k yellow gold case, large pusher beside crown for engaging winding, slides in the band for selecting strike/silent, hours & quarters/quarters only, and trip repetition, recessed pushers for calendar correction, hinged gold cuvette, London hallmarks for 1901-2, sponsor’s mark RN for Robert Benson North trading as Nicole, Nielsen & Co., case back numbered 32274, cuvette numbered 74 Signed: dial and movement signed Dent, case and cuvette stamped RN for Robert Benson North trading as Nicole, Nielsen & Co. Diameter: 66.5 mm Depth: 25.5 mm Harold P. Berger. Purchased from the above in 1970 via E. Greenberg, New York and Edgar Mannheimer, Zurich. Mercer, Vaudrey, Edward John Dent and His Successors, Antiquarian Horological Society, 1977, p. 682 & 707. Among the most exceptional, costly, and mechanically complex timepieces of its era, this remarkable watch stands as one of the most significant achievements of English horology at the turn of the twentieth century. Nicole, Nielsen & Co., who supplied the movement to Dent in 1901,[i] were the only English manufacturer to produce tourbillon watches incorporating additional complications such as chronograph, minute repetition and perpetual calendar.[ii] Within the extensive individually numbered references of watches recorded in Vaudrey Mercer’s monograph on Dent, the present example is the only piece by the firm noted by the author to combine a tourbillon with the function of a clock watch. Furthermore, it is distinguished by the additional complications of minute repetition, perpetual calendar with moon phases, and split seconds chronograph. The well-known Nicole, Nielsen & Co. wholesale catalogue of slightly later date (circa 1910) does not illustrate this exact configuration; the closest example, featuring similar complications but crucially without a tourbillon, was priced at £240 - the highest figure among the listed watches. For context, a first-quality, 18-carat gold open-faced lever watch in the same catalogue was priced at £25. However, a watch incorporating a tourbillon, such as the present example, had it been included, would have been illustrated within the section marked “price on application”, reserved for the firm’s most complex and costly pieces, with a markedly higher price. As a measure of the impeccable finishing lavished on the movement, this watch includes the rarely seen tria-in-uno balance spring, a form of hairspring that was notoriously difficult to make, requiring exceptional skill on the part of the springer to avoid distortion when forming and hardening both ends of the spiral. The invention, by John Hammersley, is discussed by David Boettcher in The Horological Journal (July 2018). The tria-in-uno was devised in 1860 to overcome the problem of “acceleration” in new chronometers, where balance springs hardened and bent after tempering would initially gain rate before stabilising. Hammersley’s solution was a spring that required no bending after hardening, thereby avoiding internal stress. His design combined three elements in one: a central helical (cylindrical) section with flat spiral coils at both the top and bottom, which could be pinned directly to the collet and stud. This ingenious construction gave the tria-in-uno all the advantages of a cylindrical spring - excellent isochronism, stable timekeeping, and freedom from acceleration - while remaining relatively slim, making it particularly well suited to compact, high-grade watches such as this. From this concept emerged the duo-in-uno, a simplified form retaining the helical section but with only one flat spiral coil instead of two. Introduced in 1862, it was exhibited by John McLennan and A.P. Walsh, both of whom claimed its invention. Hammersley, however, maintained that it was simply derived from his own tria-in-uno, remarking that it could be made “by cutting one end off.” Nicole, Nielsen & Co. Nicole, Nielsen & Co. traces its origins to Adolphe Nicole’s partnership with Henry Capt in Geneva around 1837, when the firm was first known as Nicole & Capt. By 1840, they had established a London branch at 80B Dean Street, Soho and in 1843 were already supplying watches to Dent. In October the following year Adolphe Nicole applied for a patent which included his groundbreaking keyless winding and hand setting system. The patent (no. 10348) was granted on 12 April 1845 and helped lay the foundation for the firm’s reputation for technical refinement and mechanical complexity. Further patents followed, enhancing their position among the foremost watchmakers in Britain. In 1858, the company relocated to 14 Soho Square, where it would remain for the rest of its existence. Sophus Emil Nielsen - a talented Danish watchmaker who married Nicole’s daughter in 1872 joined the company. He brought new ideas and secured Patent No. 13,336 in 1884 for his “Up-and-Down” power-reserve indicator mechanism. The company became known as Nicole, Nielsen & Co., continuing its tradition of innovation and high-grade craftsmanship. During the late 19th century, Nicole, Nielsen & Co. earned an enviable reputation for producing precision and complication movements, including chronographs, perpetual calendars, and tourbillons, which were supplied to distinguished firms such as Dent, Charles Frodsham and S. Smith & Son. The firm became a limited company in 1888 and continued to expand under Robert Benson North, who assumed leadership from 1898. Under North’s direction, the company diversified and included ventures into tourbillon carriage clocks and, later, automotive instruments such as speedometers, adapting to the technological changes of the early 20th century. By the 1920s, following the disruption of World War I, the company had shifted its focus primarily to speedometer production and, in 1917, was renamed North & Sons Ltd. The firm’s watchmaking operations gradually declined, and by 1934 the factory at 14 Soho Square closed, marking the end of Nicole, Nielsen & Co. as one of Britain’s most accomplished horological manufacturers. Dent Edward John Dent was born in 1790 and apprenticed at the age of fourteen to his grandfather, a tallow chandler. During this period he lodged with his cousin Richard Rippon, a watchmaker, whose influence inspired his interest in horology. With his grandfather’s consent, he transferred the remainder of his apprenticeship in 1807 to Edward Gaudin, a London watchmaker. Dent quickly established himself as an outstanding craftsman and, between 1815 and 1829, worked as a chronometer maker for several leading British firms, including Vulliamy, Barraud, and McCabe. By 1830, Dent’s reputation was such that John Roger Arnold invited him into partnership at 84 Strand, London - a collaboration that lasted ten years. In 1831, Dent was admitted to the Worshipful Company of Clockmakers and became a Freeman of the City of London. In 1840, he established his own business at 82 Strand, and by 1843 had opened further premises at 33 Cockspur Street, the address appearing on the dial of the present watch. Edward Dent died in 1853, leaving his business to his two stepsons, Frederick and Richard Rippon, on condition that they adopt his surname. Frederick managed the firm’s premises at the Royal Exchange and the Strand, while Richard took charge of the Cockspur Street branch. Neither long outlived their stepfather - Richard died three years later and Frederick after seven - whereupon their respective businesses passed to their widows and sisters. Richard’s branch continued under his widow Marianna Frederica Dent as M. F. Dent, while Frederick’s was inherited by his mother and sisters, Elizabeth and Amelia. Among Edward John Dent’s many achievements, he is best remembered as the clockmaker awarded the contract to build the Great Westminster Clock, popularly known today as “Big Ben”, housed in the Elizabeth Tower at the Palace of Westminster. [i] Mercer, Vaudrey, Edward John Dent and His Successors, Antiquarian Horological Society, 1977, p. 707. [ii] Pierantonio Maragna, Nicole, Nielsen Watchmakers, Self Published, 2025, p. 148.

Dent, London

Estimation : 150000 - 250000 €

Maison de vente : Sotheby’s

Date de la vente : 08/12/2025

Patek Philippe Movement: 22’’’ nickel lever movement stamped twice with the Geneva seal, 21 jewels, 8 adjustments, Guillaume balance, micrometer regulator, movement stamped EXTRA, numbered 191434 twice Dial: amber enamel dial, Roman numerals, blued steel hands, two subsidiary dials for constant seconds and 26-hour power reserve indication with Breguet numerals and blued steel hands Case: 18k yellow gold, cuvette engraved Awarded First prize Geneva Astronomical Timing Contest 1926-1927, Made for Henry Graves Jr. New-York 1927, case back engraved with the crest of Henry Graves Jr. and motto Esse Quam Videri, inside case and cuvette stamped 413405. Signed: case, cuvette, dial, and movement Diameter: 58 mm Accompanied by Patek Philippe Extract from the Archive confirming the year of manufacture in 1910 and the date of sale on 2 November 1927, with remarks on the engraved coat of arms and the achievement of First Prize in the 1926 Geneva Observatory timing contest

Patek Philippe

Estimation : 150000 - 250000 €

Maison de vente : Sotheby’s

Date de la vente : 08/12/2025

Unimatic Dial: pink Caliber: cal. Sellita SW510 BH automatic, 27 jewels Case: stainless steel, screw down case back Case number: 1/1 Closure: stainless steel Unimatic bracelet with expandable folding clasp Size: 41.5 mm diameter, bracelet circumference approximately 220 mm Signed: case, dial, and movement Box: yes Papers: yes Accessories: Pelican Unimatic x Henry Singer presentation box, Unimatic International Warranty Card, Unimatic Quality Control card, and operating instructions cards Please note that the seller’s proceeds of this lot will be donated to the AIRC Foundation for Cancer Research. After years of producing quartz-powered Modello Tre Chronographs, Unimatic, in May of 2025, collaborated with Henry Singer to introduce the reference U3S-HS, an automatic Modello Tre with a cool grey dial and bezel in a limited edition of 36 pieces. This reference, U3S-HSP, is a continuation of that first Henry Singer collaboration and a unique piece, produced and numbered on the caseback as a one-of-one example, never to be made again. In stainless steel and measuring 41.5mm in diameter (40mm if not accounting for the bezel overhang), the U3S-HSP is robust and utilitarian – descriptors that have come to epitomize the ethos of Unimatic since its founding in 2015 by two industrial designers from Milan, Italy, Simone Nunziato and Giovanni Moro. Stepping away from the typically staid aesthetic of the brand, this unique piece is adorned with a bold pink dial, a tribute to the iconic pink ribbon, the universal symbol of breast cancer awareness. The reference U3S-HSP represents Unimatic’s third collaboration with Henry Singer, a Canadian luxury menswear retailer, and their first one-of-a-kind project. Jordan Singer, President of Henry Singer Fashion Group, is a watch enthusiast and collector, a viewpoint that leads to details such as the steel relief-style tachymeter bezel on the present watch – an important departure from the previous reference U3S-HS. The seller’s proceeds from the auction will be donated to the AIRC Foundation for Cancer Research, Italy’s leading funding body for independent cancer research. Founded in 1965, this foundation has long been committed to supporting independent cancer research, transforming scientific discoveries into effective treatments. Through a rigorous and transparent selection process, AIRC funds the most promising ideas from both established researchers and emerging talents at every stage of their careers. This commitment has contributed to a 54% increase in cancer survival rates (10-year survival data from 2010 to 2020). Over the past six decades, AIRC has invested approximately 2.5 billion euros in thousands of research projects and currently supports the work of 5,400 researchers across 96 predominantly public research institutes in Italy. More information at airc.it. Data as of January 2025.

Unimatic

Estimation : 2000 - 4000 €

Maison de vente : Sotheby’s

Date de la vente : 08/12/2025

Jaeger-LeCoultre Dial: silvered, guilloché, semi-skeletonized Caliber: cal. 829 mechanical, 37 jewels Case: 18k pink gold, reversible back sapphire crystal display Case number: No. 067/500 Closure: 18k pink gold Jaeger-LeCoultre folding clasp Size: 42 x 26 mm Signed: case, dial and movement Box: yes Papers: yes Accessories: Jaeger-LeCoultre presentation box with outer packaging, Certificate of Authenticity confirming the individual numbering of the piece as 67/500, Operating Instructions booklet, booklet sleeve, booklet, and hangtag Then-CEO Henry-John Belmont, French designer Janek Deleskiewicz, and newly appointed executive Günter Blümlein set out to elevate the Reverso to new heights. Using the model’s 60th anniversary as their impetus, the team launched what became a decade-long celebration of the Reverso, spanning from 1991 to 2000. Over this period, six limited editions were created, each crafted in pink gold, each powered by an entirely new movement designed specifically for the Reverso case, and each produced in only 500 examples. Every complication was conceived, developed, and tested by a dedicated watchmaker. The series began in 1991 with the Reverso 60ème featuring power reserve and date by Daniel Wild, followed by the Tourbillon in 1993 by Sylvain Golay, the Minute Repeater in 1994 by Eric Coudray, the Retrograde Chronograph in 1996 by Manuel Guerin, the Géographique “World Time” Duoface in 1998 by Philippe Vandel, and finally, the Perpetual Calendar in 2000 by Rachel Torresani. Each of the six designs stands as a distinctive expression of Jaeger-LeCoultre’s technical mastery and aesthetic refinement. The Retrograde Chronograph, in particular, introduced a striking design detail, a small indicator at the lower left corner of the dial to show whether the chronograph is engaged or not. These creative and mechanical milestones marked the beginning of Jaeger-LeCoultre’s modern era of serially produced high complications, with each model featuring a unique, purpose-built movement limited to just 500 pieces. The present example is offered in excellent condition and accompanied by its complete original box and papers. It represents a rare opportunity to acquire a significant and conversation-worthy timepiece in which timeless design and mechanical ingenuity are perfectly united. Please note that this lot includes endangered species, which will require a CITES permit for export. Please refer to the Guide for Buyers at Auction and Conditions of Business for Buyers for additional information.

Jaeger-LeCoultre

Estimation : 15000 - 30000 €

Maison de vente : Sotheby’s

Date de la vente : 08/12/2025

An extra slim and extremely fine and rare gold open-faced Montre à Tact lever watch with day, date and moon phases gilded movement, jewelled lever escapement, two-arm compensation balance, blued steel balance spring with overcoil, parachute suspension, index regulator with pivoted extension arm for dial aperture, gold discs for day and date of the month, blued moon disc with gilded moon and silver stars silver dial, guilloché damier patterned centre, the edge engine-turned à grains d’orge, twin satin finished chapter rings with black Roman numerals and pearled minutes, crémaillère borders, secret signature repeated between XI and I, apertures for days, moon phases and date, angled cartouche signed Breguet at IX-X, matching regulator aperture to edge by II-III, gold case with silver band, engine-turned à grains d’orge, skeletonised tact hand mounted to revolving case back, shuttered aperture for winding, touch pins to the band, adjusters to band for hands, date & day Measurements diameter 44mm depth 8mm (excluding tact hand) weight 65.3g Accompaniments with a gold Breguet chain and ratchet key and a Breguet 250th anniversary certificate The Rev. William Bentinck Lethem Hawkins (1801-1894). Christie, Manson & Woods, The Valuable Collection of Objects of Art of the Rev. W. Bentinck L. Hawkins, deceased, late of Bryanston Square…A Choice Collection of Breguet Watches, London, 6-20 February 1895, lot 463. Sir David Lionel Salomons, collection no. 14. Christie’s London, The Celebrated Collection of Watches by Breguet, Part I, formed by The Late Sir David Salomons, Bart., 1 December 1964, lot 4 sold for 1800 guineas ($5,292) and purchased by Mrs Oaks. Current Private Collection purchased from the above and cleaned and serviced by George Daniels October 1965. Breguet at Chaumet, London, Geneva, Paris, New York, Autumn 1986. Salmons, David, Breguet 1747-1826, London: 1921, p. 34. Daniels, George, The Art of Breguet, London & New York: Sotheby Parke, Bernet, 1975, p. 282, figs. 352a-d. Breguet, Emmanuel, Breguet Watchmakers since 1775, Revised and Expanded Edition, Swan Éditeur, 2016, p. 303, fig. 357. A watch of extraordinary elegance and refinement, for many this piece will encapsulate the quintessential Breguet aesthetic, perfected by Abraham-Louis in the years after his return to Paris from exile in Switzerland. That style was carried forward by his son, Antoine-Louis (1776–1858), in the years following his father’s death, when the present watch was made, and its enduring appeal continues to resonate today. The influence of this particular dial layout on the firm’s later production is clear, and in c.1988 Breguet introduced the Ref. 3330, a model that deliberately echoed this design. With a depth of just 8mm, the watch integrates a calendar, moon phases, and the ingenious tact complication, which allows the time to be read by touch—whether in darkness or discreetly, without drawing the attention of others. Correctors are cleverly built into the sides of the case for adjusting the calendar indications, while the hands are set by means of a square concealed within the band’s touch pin at IV o’clock. The case back revolves for the tact hand and includes an offset aperture for winding which reveals the winding square when the back panel is turned. Thus, apart from regulation - adjusted through the arc-shaped aperture beside II and III o’clock - the case never needs to be opened, with the double advantage of protecting the movement from interference and safeguarding the dial from damage when setting the hands or adjusting the calendar. Monsieur de Roos The Breguet Archives note that this watch was sold to Monsieur de Roos. This may be Henry-William de Ro[o]s (1792-1839) who succeeded as 22nd Baron De Ros following his mother’s death on 9 January 1831. The watch was purchased in the same year as the death of Henry-William’s father, Lord Henry.1 The de Ros Barony itself dates back to the thirteenth century. A noted whist player, Henry-William became embroiled in a gambling scandal in 1836, accused of cheating at Graham’s Club by “sauter la coupe” and marking cards with his thumbnail; he sued for libel but lost the case.2 The Rev. William Bentinck Lethem Hawkins (1801-1894). This watch was once owned by the pioneering Breguet collector Rev. Hawkins. Educated at Trinity College, Oxford, and later ordained into the priesthood, Rev. Bentinck Hawkins devoted much of his long life to study, travel and collecting. Between 1851 and 1890, he acquired at least 124 timepieces attributed to Breguet, including seven tourbillons, six perpétuelles, five minute repeating watches, two resonance watches and a sympathique clock.3  His was the earliest and most extensive assemblage of Breguet’s work in Britain and a landmark in the history of horological collecting. Hawkins was an active and informed collector who acquired pieces from dealers in Paris and London, through advertisements in The Times, and at early horological auctions - well before Breguet’s broader revival among connoisseurs. Research has shown that his collecting spanned nearly four decades, in contrast to the shorter timeframe of Sir David Salomons’s acquisitions (1915–1925), and that at least thirty-four watches in the Salomons collection are confirmed to have once belonged to Hawkins. The dispersal of his holdings by Christie’s in 1895, across several sales in February and July, realised £19,146 - a considerable sum at the time.4 1 Burke’s Peerage, Baronetage & Knightage, 104th Edition, 1967, London, p. 734. 2 https://en.wikipedia.org/w/index.php?title=Henry_FitzGerald-de_Ros,_21st_Baron_de_Ros&oldid=1121294674 3 Bernard Roobaert Hon FBHI, Les Collectionneurs de Breguet (I): William Bentinck Lethem Hawkins (1801–1894), pp. 1, 4, 7–8. 4 Ibid., pp. 5–6.

An extra slim and extremely fine and rare gold open-faced Montre à Tact lever watch with day, date and moon phases

Estimation : 100000 - 200000 €

Maison de vente : Sotheby’s

Date de la vente : 09/11/2025

An important and magnificent 20ct gold, enamel and paillon decorated cabriolet cased quarter repeating watch with duplex escapement and chronometer balance made in the Turkish market style, the cuvette engraved with equation of time 19’’’ gilded movement, double wheel ruby duplex escapement with ruby impulse pallets and ruby rest roll, two polished steel escape wheels, large chronometer-type two-arm bi-metallic compensation balance, two large sliding wedge-shape weights and two platinum mean time screws, parachute suspension, flat blued steel hairspring and index regulator, two polished steel hammers with chamfered edges and deep satin finished sides repeating on two coiled gongs white enamel dial, Roman numerals, outer minute ring, signed Breguet above VI o’clock, secret signature beneath XII, engraved Breguet No. 4384, blued steel Breguet hands, the back counter enamelled and signed by the dial maker Droz P 20ct gold inner case with red translucent enamel over sunburst engine-turning, gold paillon border and central rosette, translucent red enamel bezels with paillon fronds heightened with translucent green enamel ribbons, royal blue champlevé enamel band heightened with paillons and opaque white enamel roundels, quarter-turn piston mounted to plain ring pendant, 20ct gold outer case with translucent red enamel over sunburst engine-turning, bordered by gold scrolling vines and leaves, central starburst motif, bezels of red translucent enamel heightened by leaves and rosettes in translucent royal blue and green enamel, opaque turquoise and white enamel, gold cuvette engraved with equation table, aperture for winding, signed Breguet No. 4384 both cases numbered B 1795 and with Tavernier case maker’s mark P.BT beneath a triangle for Pierre-Benjamin Tavernier in lozenge cartouche, inner case additionally numbered 2958, each case with Paris assay and discharge marks comprising baby’s head 2 in irregular cartouche (2nd standard gold 840/1000), Cockerel facing left 2 in oval frame (840/1000, 1798-1809), man’s head facing forward 85 excise mark (1798-1809) Measurements inner case diameter 50mm outer case diameter 55mm overall depth 15.5mm weight 170.2g Accompaniments with a Breguet 250th anniversary certificate 1810-1822 supplied to the Maison de Russie. 1822 returned to Breguet, Paris and exchanged by General Count Levasheff. 1825 following overhaul re-numbered 4384 and sold to Monsieur Villaret de Joyeuse, subsequently re-sold again to Breguet. 1830 supplied to Wenham, Breguet’s agent in Russia. c. 1870-1879 George Arnold Hearn (Hearn collection now at Metropolitan Museum of Art in New York) 1879 sold by George Hearn to Russia, possibly to Henry Moser. 1879-c.1920 Russian collection. 1920-1954 Gunnar Jacobsson (1882-1967), Nobel Brothers employee. 1954-c1960 family of Christian Gjestvang, Sweden, an automobile enthusiast responsible for the introduction of Ford and Hudson cars to Sweden. c. 1960-1982 Bo Lindh (1908-1982), Art Collector. 1982-2014 descendants of the above. 2015 Christie’s Geneva, 9 November 2015, lot 299. The Breguet Archives provide fascinating insight into the production of this magnificent and important watch. Work began in 1804, and delivery of the ébauche was made on 27 January 1805. The inner case, struck with assay marks for 20-carat gold, was crafted by Pierre-Benjamin Tavernier and delivered on 28 December 1808. On 19 April 1809 he completed the outer case, also in 20-carat gold. The case spring was completed on 5 September and the crystal supplied by Roger on 19 October. On 31 January 1810 Sautter completed the engravings, likely for the flinqué enamel, and on 28 February Tavernier finished the engine-turning of the case backs. Lallemand completed the final task of enamelling on 30 March 1810. The total cost of the cases amounted to 980 francs. The double-wheel ruby duplex escapement — exceedingly rare, and rarer still in a Turkish-market watch — with the repeating work, was executed to exceptional standards, as reflected in its cost of over 500 francs, in contrast to the average 66 francs for a Breguet ruby cylinder escapement. Also notable is the use of a chronometer-style balance and the Equation of Time chart engraved to the cuvette; the latter is a feature found on some other important Breguet watches including no. 2788, the double movement resonance watch sold to the Prince Regent in 1818. The engraving of the equation chart on this watch was complete by Tardé on 6 June 1809. One of the most spectacular watches made by Breguet in the Turkish market style, Breguet No. 1795/4384 holds a fascinating history. It has previously been suggested that this watch may have been purchased on behalf of Tsar Alexander I for him to use as a diplomatic gift. Though no firm record survives to corroborate this, there is some circumstantial evidence that may support such a claim. The Breguet Archives note that this watch was sold to Moreau (Breguet’s agent) at the Maison Russie on 31 December 1810. Subsequent records within the Archives record that the watch was returned to Breguet in 1822 by General Count Lewascheff, who exchanged it for Breguet no. 3260, a half-quarter repeating watch with a gold engine-turned case and a silver engine-turned dial in the Western style (for illustrations of the latter see Daniels, The Art of Breguet, p. 245, figs. 277a–c). General Count Lewascheff was a trusted aide of the Tsar and, among his other missions, is recorded as being in London on behalf of the Emperor of Russia at Carlton House on 8 April 1820 to congratulate King George IV on his recent accession to the throne.1 After the watch’s return to Breguet, it was overhauled, its dial replaced (likely changing from a Turkish numeral dial to the present Roman numeral dial), and renumbered as no. 4384. It was then re-sold on 7 February 1825 to Monsieur Villaret de Joyeuse, son of the French Admiral Louis Thomas Villaret de Joyeuse. At the time of its original sale on 31 December 1810 through the Maison de Russie (founded in 1808 under Abraham-Louis Breguet’s direction by his agent Lazare Moreau), the firm’s Russian outpost had already secured significant sales, including to the Tsar himself. The Turkish-market styling of this watch and the context of its sale through the Maison de Russie make it plausible that it was purchased for use as a diplomatic gift. The date of the transaction is significant. In 1810, Russia and the Ottoman Empire were still locked in the Russo–Turkish War of 1806–1812, with Russian forces gaining the upper hand along the Danube. Yet even in moments of military advantage, Russia had strong incentives to cultivate diplomatic openings. The war was costly and prolonged, and Alexander was already looking ahead to the growing threat of conflict with Napoleon. Securing peace with the Ottomans on favourable terms became a strategic priority. In this context, the purchase of a Turkish-market watch from Breguet may be understood within the wider culture of diplomacy, where prestige objects could be used to ease negotiations, reward interlocutors, and sustain channels of communication that remained open even in wartime. Gift-giving was a well-established part of Ottoman diplomatic culture. Luxury objects such as jewelled snuffboxes, clocks, and watches were regularly presented to viziers, envoys, and courtiers. Such gifts went beyond casual courtesies: they were formal tokens of respect and prestige that also served practical purposes — to cultivate goodwill, consolidate influence, and strengthen channels of negotiation. Watches carried particular weight, embodying European science and refinement while appealing to the Ottoman taste for enamelled decoration and dials with Turkish numerals — details Breguet mastered with advice from Esseid Ali (Galib) Effendi, the Ottoman ambassador to France from 1797, who became both a friend and invaluable intermediary. That Tsar Alexander I might have selected a Breguet for such a purpose would be entirely plausible. During the first decade of the nineteenth century, Breguet had become an important supplier to Russian and Ottoman elites alike. In Russia, sales were so strong that by 1809 more than half of Breguet’s annual production was destined for Russian clients. In Turkey, Ali Effendi’s introductions had secured Breguet a following at the highest levels of court society. Effendi’s commissions included ten repeating watches and, in 1804, he specifically requested from Breguet a repeating watch of the finest quality for the Ottoman emperor himself, Selim III; the Emperor was clearly pleased with the resulting watch, for the following year he requested a second, identical watch.2 The sumptuously decorated case of Breguet no. 1795/4384 reflects the distinctive style Breguet developed specifically for the Ottoman market, a style that stood in striking contrast to his more restrained productions for European and Russian clients. As noted by Emmanuel Breguet in his book Breguet, Watchmakers Since 1775, “the only real freedom which Breguet permitted himself in the decoration of his watches concerned those which fell into two highly specific categories: tact watches decorated with enamelling … and enamelled Turkish watches.”3 Created as a pair-cased watch, the inner and outer cases were made by Pierre-Benjamin Tavernier, one of Breguet’s most distinguished case makers, in collaboration with the enamellist Lallemand. The style is of cabriolet form. As a cabriolet case, in addition to displaying the watch in an open-faced format, the inner case could be reversed within its outer to display the richly decorated back. Such is the superior level of finishing that, when reversed within its outer, the back of the inner case fits so precisely within the bezel of the outer that the two elements appear seamless. The Ottomans wore their watches on the outside of their clothes, which meant that their decorative elements were of even greater importance. Trade with the Ottoman Empire became increasingly important to Breguet during the first decade of the 19th century as the Napoleonic wars interrupted trade with three of Breguet’s most important outlets — first Britain (in the wake of Napoleon’s Continental System), followed by Spain from 1808 and Russia in 1810. Breguet’s main conduit to important Ottoman clients was via the Ottoman Ambassador to France, Esseid Ali Effendi, known as Galib Effendi. Ali Effendi arrived in Paris in 1797 and was introduced to high society by the French diplomat Charles Maurice de Talleyrand-Périgord. Having received an introduction to Breguet, Effendi’s first Breguet purchases were a remarkable minute-repeating watch and a long-case clock.4 Ali Effendi and Breguet became friends, and after Effendi’s return to Turkey in 1802, they continued to correspond regularly. Effendi went on to hold important positions at the Ottoman court, rising to the position of Minister of the Navy. Effendi was clearly of great help to Breguet, not only by introducing the watchmaker to important clients, but by advising on the style of watch and type of decoration preferred by clients in Turkey, especially their preference for white enamel dials with Turkish numerals and cases ornately decorated with enamels, particularly in red. This experience and expertise in producing watches for the Ottoman market meant that Breguet was ideally placed to create an exceptional watch of diplomatic character — perhaps originally intended for presentation on behalf of the Russian court. One of the most distinguished Breguet watches to have appeared on the market in recent years, no. 1795/4384 is particularly remarkable for its exceptional state of preservation, all the more so given the intricacy of its magnificent enamel decoration. The cases display a rich, lustrous surface, their superb workmanship befitting a commission intended for a patron of the highest importance. 1 Bulletins of State Intelligence, Bulletins from the London Gazette, 1820, collated and printed by R. G. Clarke, Westminster, p. 171. 2 Breguet, Emmanuel, Breguet Watchmakers since 1775, Revised and Expanded Edition, Swan Éditeur, 2016, pp. 248-249. 3 Ibid p. 373. 4 Ibid p. 246.

An important and magnificent 20ct gold, enamel and paillon decorated cabriolet cased quarter repeating watch with duplex escapement and chronometer balance made in the Turkish market style, the cuvette engraved with equation of time

Estimation : 150000 - 300000 €

Maison de vente : Sotheby’s

Date de la vente : 09/11/2025

Description ATTRIBUÉ À FRANCOIS-DÉSIRÉ FROMENT-MEURICE - ANNÉES 1840 MAGNIFIQUE BRACELET CASSOLETTE PUTTI ANGE ET DÉMON Le bracelet rigide ouvrant est composé d’une cassolette formée d’une citrine taillée en pyramide, de part et d’autre deux anges, l’ange du Bien à visage d’enfant souriant et des ailes d’oiseau et l’ange du Mal à visage d’enfant grimaçant flanqué d’ailes de chauve-souris. L’ensemble est en argent ciselé en ronde-bosse. Monture en argent et or jaune 14K, chaînette en or jaune 18K. Poids brut : 78,10 gr. Tour de poignet : 15,8 cm. Hauteur du motif central : 2,5 cm. LA FIGURE ENFANTINE : ENTRE INNOCENCE ET TRANSGRESSION Ce bracelet fait dialoguer deux figures enfantines en un dos-à-dos peu commun : l’une, au visage serein et ailes d’oiseau, évoque l’angélisme classique des putti ; l’autre, affublée de petites cornes, d’ailes de chauve-souris et de seins exagérément pointus incarne un véritable suppôt de Satan et brouille les frontières de l’innocence. Ce diptyque miniature condense une tradition iconographique ancienne où l’enfant, loin d’être un simple symbole de pureté, devient le support ambigu d’une tension morale. Froment-Meurice joue ainsi des codes du merveilleux et du monstrueux pour interroger une vérité plus complexe : le Bien et le Mal partagent une même origine, un même corps, un même visage. Référence : Musée du Chateau de Compiègne pour trouver le bracelet reproduit dans l’histoire de la bijouterie d’Henry Vever dans les pages consacrées à François-Désiré Froment-Meurice. (Page 166). A citrin, silver, 18K and 14K yellow gold "angel and demon" bracelet attributed to François-Désiré Froment-Meurice, circa 1840. Gross weight : 78,10 gr. Wrist size : 15,8 cm. Central pattern height : 2,5 cm. THE CHILD FIGURE: BETWEEN INNOCENCE AND TRANSGRESSION This bracelet brings together two childlike figures in an unusual back-to-back dialogue: one, with a serene face and bird’s wings, evokes the classic angelic image of putti; the other, adorned with small horns, bat wings, and exaggeratedly pointed breasts, embodies a true servant of Satan and blurs the boundaries of innocence. This miniature diptych encapsulates an ancient iconographic tradition in which the child, far from being a simple symbol of purity, becomes the ambiguous medium of moral tension. Froment-Meurice thus plays with the codes of the marvelous and the monstrous to question a more complex truth: Good and Evil share the same origin, the same body, the same face. Reference: Compiègne Castle Museum to find the bracelet reproduced in Henry Vever’s history of jewelry in the pages dedicated to François-Désiré Froment-Meurice. (Page 166).

Description ATTRIBUÉ À FRANCOIS-DÉSIRÉ FROMENT-MEURICE - ANNÉES 1840 MAGNIFIQUE BRACELET CASSOLETTE PUTTI ANGE ET DÉMON Le bracelet rigide ouvrant est composé d’une cassolette formée d’une citrine taillée en pyramide, de part et d’autre deux anges, l’ange du Bien à visage d’enfant souriant et des ailes d’oiseau et l’ange du Mal à visage d’enfant grimaçant flanqué d’ailes de chauve-souris. L’ensemble est en argent ciselé en ronde-bosse. Monture en argent et or jaune 14K, chaînette en or jaune 18K. Poids brut : 78,10 gr. Tour de poignet : 15,8 cm. Hauteur du motif central : 2,5 cm. LA FIGURE ENFANTINE : ENTRE INNOCENCE ET TRANSGRESSION Ce bracelet fait dialoguer deux figures enfantines en un dos-à-dos peu commun : l’une, au visage serein et ailes d’oiseau, évoque l’angélisme classique des putti ; l’autre, affublée de petites cornes, d’ailes de chauve-souris et de seins exagérément pointus incarne un véritable suppôt de Satan et brouille les frontières de l’innocence. Ce diptyque miniature condense une tradition iconographique ancienne où l’enfant, loin d’être un simple symbole de pureté, devient le support ambigu d’une tension morale. Froment-Meurice joue ainsi des codes du merveilleux et du monstrueux pour interroger une vérité plus complexe : le Bien et le Mal partagent une même origine, un même corps, un même visage. Référence : Musée du Chateau de Compiègne pour trouver le bracelet reproduit dans l’histoire de la bijouterie d’Henry Vever dans les pages consacrées à François-Désiré Froment-Meurice. (Page 166).

Estimation : 6000 - 8000 €

Maison de vente : Tajan

Date de la vente : 08/07/2025

Collection: The Collection of Mary Tyler MooreLate 19th century Designed with a 2-2-2 wheel arrangement, in the context of locomotives, means an engine with two leading wheels, two driving wheels and two trailing wheels. Stamped Prins Hendrik on each side. Named for Prince William Frederick Henry of the Netherlands (Dutch: Willem Frederik Hendrik; 13 June 1820 – 13 January 1879) was the third son of King William II of the Netherlands and his wife, Grand Duchess Anna Pavlovna of Russia. He was a popular Prince with many things named after him, including a major street in Amsterdam, steamship, hotel and a lighthouse.Height 29 inches, length 58 inches, width 15 inches. Fair condition, shows wear. Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and our Organization shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.

Collection: The Collection of Mary Tyler MooreLate 19th century Designed with a 2-2-2 wheel arrangement, in the context of locomotives, means an engine with two leading wheels, two driving wheels and two trailing wheels. Stamped Prins Hendrik on each side. Named for Prince William Frederick Henry of the Netherlands (Dutch: Willem Frederik Hendrik; 13 June 1820 – 13 January 1879) was the third son of King William II of the Netherlands and his wife, Grand Duchess Anna Pavlovna of Russia. He was a popular Prince with many things named after him, including a major street in Amsterdam, steamship, hotel and a lighthouse.Height 29 inches, length 58 inches, width 15 inches.

Estimation : 6000 - 8000 €

Maison de vente : Doyle

Date de la vente : 04/06/2025

Two Henry Beguelin Leather Jackets Two Henry Beguelin Leather Jackets Two Henry Beguelin Leather Jackets Black size S and brown size XS. Wear associated with use. Provenance: The Estate of Susan Chalom, New York, NY Brown: 25 1/2 x 15 in. (64.8 x 38.1 cm.), Black: 33 1/2 x 18 in. (85.1 x 45.7 cm.) Condition reports are not provided in catalog descriptions. The absence of a condition report does not guarantee that the lot is in good condition or free from damage and wear. We encourage you to requisite a condition report and/or additional photos prior to bidding on any lot.  We also recommended asking for a shipping quote before bidding as well.  CASH, CASHIER CHECK, MONEY ORDER, AND WIRE TRANSFER ARE ONLY METHODS OF PAYMENT ACCEPTED FOR JEWELRY, WATCHES, COINS, AND PRECIOUS METALS. Andrew K. Holter President John Nye Founder

Two Henry Beguelin Leather Jackets

Estimation : 400 - 600 €

Maison de vente : Nye & Co.

Date de la vente : 02/04/2025

A Henry VII Silver Hammered Profile Groat Coin. Please see photos for conditions. A Henry VII Silver Hammered Profile Groat Coin. Please see photos for conditions.

Pièce de monnaie en argent martelé de l'époque Henri VII. Voir les photos pour connaître l'état.

Estimation : 150 - 200 €

Maison de vente : Cadmore Auctions

Date de la vente : 05/12/2023