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Femme

Homme

Patrick KELLY, circa 1990

Ensemble en jersey de laine fuchsia composé d’un pull à encolure montante, poitrine soulignée d’une couture apparente, manches longues, longueur asymétrique et une jupe travaillée en biais à effet de volant à partir des hanches. Griffe blanche, graphisme noir Voir reproduction planche 56

Patrick KELLY, vers 1990

Estimation : 100 - 120 €

Maison de vente : Cornette de Saint-Cyr

Date de la vente : 30/06/2012

Anonyme, circa 1935

Robe longue en tulle noire, décolleté rond souligné de petits volants à plis plats, sans manches, poitrine rehaussée de découpes, jupe très ample sur jupon finissant par un bouillonné de tulle. Voir reproduction planche 30

Anonyme, vers 1935

Estimation : 450 - 500 €

Maison de vente : Cornette de Saint-Cyr

Date de la vente : 30/06/2012

SAINT LAURENT

Cape d’influence cocher, en drap camel, capuche et sur cape gansé d’une passementerie de laine vert, marine, manches longues, simple boutonnage, poches dans les coutures souligné d’une surpiqûre, (manque boutons). Griffe blanche graphisme noir, rehaussé de deux carrés couleurs

SAINT LAURENT

Estimation : 200 - 300 €

Maison de vente : Cornette de Saint-Cyr

Date de la vente : 30/06/2012

GRES

Tailleur en lainage double face vert, intérieur à carreaux vert et écru, veste à encolure en V sur parementures à découpe bord à bord, manches 3/4, jupe droite à deux poches passepoilée en bias. Se porte avec une blouse à basque en soie kaki, encolure bateau froncée agrémentée d’un lien se nouant dans le cou, petites manches raglan, dos blousant. Griffe blanche graphisme noir Voir reproduction planche 45

GRÈS

Estimation : 500 - 600 €

Maison de vente : Cornette de Saint-Cyr

Date de la vente : 30/06/2012

An Hermès wine crocodile ’Escale’ bag, late 1960s, Crocodylus Porosus, stamped in gold ’Hermès Paris’ below the front pocket, gilt rope-twist loop and button clasp, 27cm, 10 1/2in

Please note there are export restrictions on this lot outside the EU.

Maison de vente : Kerry Taylor

Date de la vente : 26/06/2012

A Gucci pig-skin vanity case, circa 1970, with gilt armorial stamp to the inside and no 087, with gilt hardware and locks, fob with keys, beige leather interior with loops for jars and pockets to the sides, 31cm, 12in long

Maison de vente : Kerry Taylor

Date de la vente : 26/06/2012

A fine Hermès red crocodile Birkin, Crocodylus Porosus, blind stamp A square, with gilt hardware, stamped below the closure flap Hermès Paris made in France, with inverted V, with key fob, leather covered padlock and dustbag, 30cm, 11 3/4in long

Please note there are export restrictions on this lot outside the EU.

Maison de vente : Kerry Taylor

Date de la vente : 26/06/2012

A black crocodile handbag, early 1960s, believed to be Gucci but unmarked, Crocodylus Porosus, with silvered metal clasp, 25cm, 9 1/2in long; in Gucci box (2)

The vendor states that this bag was purchased by the vendor’s ancestor from the first Gucci store in London, which opened in 1961.

Please note there are export restrictions on this lot outside the EU.

Maison de vente : Kerry Taylor

Date de la vente : 26/06/2012

A Gucci tan lizard handbag, late 1960s, varanus salvator, signed to the interior, with prestud fastener, 23cm, 9in long

Please note there are export restrictions on this lot outside the EU.

Maison de vente : Kerry Taylor

Date de la vente : 26/06/2012

A Gucci black crocodile handbag, late 1960s, with Gucci stamp to the interior, with silvered metal and lapis lifter clasp, 21cm, 8 1/4in long

Provenance: Raine, Countess Spencer

Please note there are export restrictions on this lot outside the EU.

Maison de vente : Kerry Taylor

Date de la vente : 26/06/2012

Three Christian Lacroix heart shaped Christmas brooches, dated 1995, 2007, of dark steel-effect, silver and gilt metal, i the largest 10cm, 4in (3)

Maison de vente : Kerry Taylor

Date de la vente : 26/06/2012

A Louis Vuitton trunk, 1885-1890, the massive brass lock engraved LV, with brown painted canvas exterior, wooden struts with brass studs, iron carrying handles to the side and metal edges painted in black, red and white striped paper interior with two lift out trays, large LV trunk trade label of a striped trunk with `289 Oxford St, Regent Circus London; Rue Scribe Paris’ address, no 26049, 57cm 22 1/4in high; 90cm 35 1/2in long, 53cm 21in wide

The large trunk trade label was only used between 1885 and 1890.

Maison de vente : Kerry Taylor

Date de la vente : 26/06/2012

H.R.H. the Duke of Windsor’s Hunting Lord of the Isles tartan evening suit, 1951, woven in shades of green and white wool, the Scholte double-breasted jacket labelled and indistinctly annotated `H.R.H. the Duke of Windsor’, dated 8.6.51 and numbered 2719, with wide lapels, side vents, curved cuffs with three buttons; the matching trousers by Harris of New York, zip fastened, with narrow tapering legs to the ankle; together with a Hawes & Curtis matching backless waistcoat, no 4996, and cummerbund; a Scholte dark green corduroy backless waistcoat, bearing the Duke’s name, dated 8.10.47, no 189493; and two Hawes & Curtis white pique highland style dress-waistcoats chest 97cm, 38in, waist 74cm, 29in (7)

This suit is one of the most stylish and flamboyant of all of the Duke’s wardrobe. He was photographed wearing it in the early 1960s but was to continue to wear it throughout his life. It combined carefully considered tailoring with the dramatic use of an ancient highland tartan. The modern cut combined with the traditional tartan produced an avant-garde and almost shocking ensemble.

Every time the Duke ordered a suit it must have posed something of a logistical nightmare. His jackets were made by his favoured London tailor - Scholte, his waistcoats, shirts and accessories by Hawes & Curtis, but for his trousers he went to New York for - his ’pants across the sea’ as Wallis jokingly called them.

This is the suit of a quintessential dandy. As Prince of Wales and throughout his life he loved to lead fashion rather than to follow it. A suit of such dramatic pattern and colour would undoubtedly make him stand out in a crowd (as if he didn’t already) though such is the power of the ensemble that few would probably dare to follow his lead - and should they try, they would be unlikely to pull it off with the elan of the Duke!

Provenance. Sotheby’s auction of the wardrobe of the Duke of Windsor, lot 2922, 24th February, 1998.

Maison de vente : Kerry Taylor

Date de la vente : 26/06/2012

Cecil Beaton costume design for Audrey Hepburn as Eliza Doolittle, in the film ’My Fair Lady’, 1964, in Beaton’s hand inscribed ’Lisa’ - Scene 62, in gouache and in pencil in another hand Chg 8, ’Louise’ and indistinct numbering concealed below mount, worked in gouache with an Edwardian style humble grey/brown day dress, matching swatch of fabric to lower corner, 48 by 30cm within mount and frame

This is design is very similar but not identical to the dress worn by Audrey Hepburn in the elocution scene. It must have been an alternative version.

Provenance for lots 48 to 56: These sketches are from the collection of the late Henry Sidoli who was employed by Warner Tone, a subsidiary of Warner Brothers who produced the `My Fair Lady’ film in 1964. He purchased them during his time with the company.

Maison de vente : Kerry Taylor

Date de la vente : 26/06/2012

Cecil Beaton costume design for `My Fair Lady’, the Ascot scene, 1964, signed Beaton and numbered in pencil 214, pencil and gouache depicting an elegant woman in white draped seersucker crpe gown with hobble skirt and large feathered muff and bonnet, long necklace, swatch of crpe to base, 48 by 30cm within mount and frame

A slight variation of this design is worn in the Ascot scene of the film.

Maison de vente : Kerry Taylor

Date de la vente : 26/06/2012

Cecil Beaton costume design for `My Fair Lady’, Embassy ball scene, 1964, numbered in pencil 428, 12510, 879 and ’Carol’, pencil and gouache of an elegant bystander in black lace gown with pink satin cummerbund and bows to bodice, three silk and lace swatches to one corner, 48 by 30cm within mount and frame

A slight variation of this design is worn in the ballroom scene of the film.

Maison de vente : Kerry Taylor

Date de la vente : 26/06/2012

Cecil Beaton costume design for `My Fair Lady’, Embassy ball scene, 1964, numbered in pencil 12518, 877, 431 and `Louise’, pencil and gouache depicting an empire line pink and lace gown with sequined trim, two swatches to the base, 48 by 30cm within mount and frame

Maison de vente : Kerry Taylor

Date de la vente : 26/06/2012

A rare fencing ensemble, French, late 18th century - first half 19th century, comprising padded natural linen jacket with chamois breast and upper right arm, bone buttons down one side, stand collar, the tan calico breeches with similarly buttoned small fall, the wire mesh helmet, 19th century with red morocco bindings and head brace (3)

Maison de vente : Kerry Taylor

Date de la vente : 26/06/2012

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